Rooted in an interest in speculative narratives, Natalia’s practice examines the slippage between urban and natural environments, the concept of functionality and ritual, and the exploration of the femme/body’s positioning within synthetic surroundings - often with an element of levity. Her practice employs a range of technologies and methods, including video, installation, CGI, performance, sculpture, kinetics and sound. Natalia often works collaboratively in an effort to build a reciprocal ecosystem with individuals from various disciplines and backgrounds.
Natalia works with silicone, latex imprints, jesmonite, 3D prints in sandstone, ceramics and found objects a to create sculptural forms as assemblages of natural objects and their replicants. Parts salvaged from old, discarded electronics, rusted tools, cheap consumer household items – re-purposed, re-cast, re-worked.
SELECTED EXHIBITIONS:
Slice, Berlin, July 2022
Coffe table, Conditions, London, June 2022
Delights, Solo exhibition, New Arts Projects, London, May 2022
Camden Art Centre Peer Forum, 2020-2021
Xxijra Hii, London, January 2022
Thorp Stavri, London, October 2021
Prometheus project , Canada, August 2021
Artsterritory residency, Venice, September 2021
IA Artist in residency - online, November 2021
Collective Ending, London, April 2021
Greedy Rigor, Belsize Park, April 2021
Urban Antibodies, Weekend, Athens, Nov 2020
The Girls with gray faces had hearts of different colors, Lodz, July 2020
Laminar Bodyies, Final Hot desert, Utah, May, 2020
Potion Room, Subsidiary Projects, London, February 2020